While watching LA Originals, I was in awe. That said, this is more of me wanting to hear more of Oriol’s passionate anger against what’s happening to Los Angeles rather than a fault in his filmmaking. It’s a small chapter in the film that is overshadowed by the film’s closing. My only issue with the documentary is that issues like gentrification aren’t explored as expansively as I could tell Oriol wanted to. In fact, Cartoon and Oriol also left a mark on Blink 182’s history, which should feel worlds away from hip hop, but instead, the trajectory feels natural. The people who show up in the documentary are a beautiful representation of how the two men have used their artistic skills to not only build their lives but also impact the artistic landscape of hip-hop and Los Angeles itself. Oriol has taken portraits of Robert DeNiro, Snoop, George Lopez, and more while Cartoon has tattooed a range of celebrities outside the music scene, from Kobe Bryant to 2000s heart-throb Ryan Phillipe. While LA Originals showcases how Oriol and Cartoon impacted hip-hop culture, the documentary also shows their impact on the community and on Hollywood as the two grew. From Snoop and Cypress Hill, to Michelle Rodriguez and Geroge Lopez, there are many celebrities both in and out of hip hop that speak of the beauty and skill of Cartoon’s tattooing. While Cartoon speaks about his trajectory, it’s the voices that speak about him that showcase his legendary status. There is respect, and in that respect and friendship, Oriol adds the somber reality of the cost of gang life, violence, and death as he shows photos of friends he has lost.Īs for Cartoon, you get the chance to see how his art pioneered and spread the Chicano aesthetic throughout hip hop, but also throughout the world. In one section of the film, Oriol details how he began to photograph gangs in LA, using footage from his meetings with gang members that never feel like a man coming to watch and document people like animals in a zoo, something that is common in documentaries. LA Originals chronicles Chicano art in its beauty and in its connection to violence. There is a shocking amount of reality shown in LA Originals, with footage that not only catches concerts but also overdoses and homelessness as well. In opening their hearts to the homeless nearby this led Oriol to cover the drug use in the area. Oriol explains his own struggle with addiction, how he got clean, and how he keeps that throughline by showcasing how the two maintained a business on Skid Row. That said, LA Originals is anything but clean. When you watch films, there is a certain sanitization that happens, especially when it represents the director’s own life. But this documentary is never just about the good times. Once LA Originals shows how Cartoon and Oriol met, you get to see how the two were able to build an empire of art together. LA Originals also dives into the bonds built between the Black and Chicano communities in LA in 1992 after the brutal beating of Rodney King by a police officer. Cypress Hill and Oriol’s involvement with the band represents a direct link to music. Greenthumb blasting from the windows of a lowrider or “Insane In the Brain” coming on and automatically making the school dance erupt, Cypress Hill was a representation of what our community could do in hip hop. Watching LA Original was the first time I had seen the impact of Chicanos on hip-hop explored so openly and authentically. LA Originals digs deep into his history, moving from Chicano artwork originating in prisons which he saw on friends and families’ letters in prison, to his time as a graffiti artist, to an airbrusher, to an iconic tattooist who has tattooed nearly every name in hip hop, and finally to a respected cultural figurehead who was able to design his own Cortez, the signature shoe of cholo culture. Mister Cartoon (Mark Machado), or more commonly just Cartoon, is a tattoo artist and graffiti artist based in Los Angeles, California. He was a one-man documentarian at the heart of hip-hop. In his section of the documentary, it becomes clear that Oriol’s dedication and work ethic pushed him as a man wearing many hats on the road. Through footage from the decades on the road with hip-hop acts, Oriol tells not only his and Cartoon’s story but the story of hip-hop from the background. Directed by Oriol himself, this documentary charts the iconic duo’s life through hip-hop, success, gentrification, violence, and how they reached legendary status.Įstevan Oriol is a photographer and music video director who came from a life of managing bands like House of Pain and Cypress Hill and covering it all as the only one with a camera. LA Originals is an exploration of the culture and landmarks of Chicano art that cemented Mister Cartoon and Estevan Oriol’s status as behind-the-scenes hip-hop and Chicano legends.
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